The Aggressively Distorting Advanced Machine* is the result of a collaboration with one of the most celebrated artists in today’s metal scene - Adam "Nolly" Getgood. This pedal captures Nolly’s entire tonal arsenal meticulously refined by years of in-depth testing and experience in one striking enclosure.
The Aggressively Distorting Advanced Machine has three fully programmable rotating footswitch presets. Each of these stores your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. Featuring a unique and innovative top-notch precision touch slider interface, for its 6-band programmable EQ.
It also incorporates a USB-C audio interface and balanced stereo outputs for studio monitors and is equipped with an extra accurate chromatic tuner, that also works well with down-tuned guitars and basses.
Controls the amount of input gain to the compressor and intelligently applies the correct amount of makeup gain so that your signal is always driven at the appropriate level, no matter how much compression is applied.
Adds distortion and drive to your signal. Crank this knob to apply Nolly’s favorite vintage distortion to the distorted part of the signal chain.
Changes the tone of the distortion, adding brightness to the distortion signal.
Mixes between the distortion signal and the clean sidechain signal
Controls the master volume of Aggressively Distorting Advanced Machine.
Touch Sensitive Sliders
Each slider has a -12 dB to 12 dB range. From left to right, the frequency bands for each slider correspond to a low shelf, 250 Hz, 500 Hz, 1.5 kHz, 3 kHz, and a high shelf.
This is the primary instrument input on Aggressively Distorting Advanced Machine. Connect your instrument or output from your pedal board to the 1/4” mono jack.
The stereo input of Aggressively Distorting Advanced Machine enables the playback of backing tracks while practicing or recording. Connect your mobile phone, laptop etc. to the 1/8” stereo jack.
The headphone output can handle headphones with an impedance of 16 - 600 ohms. Connect your headphones to the 1/8” stereo jack and set the desired level from the dedicated potentiometer next to the jack.
The two balanced outputs add routing versatility and the option of using Aggressively Distorting Advanced Machine as a fully equipped audio interface.
An XLR output with a ground lift switch provides a reliable standard connection to a mixing desk or an external audio interface for a guaranteed low-noise signal.
A standard 1/8” TRS jack allows connecting an external MIDI controller to Aggressively Distorting Advanced Machine for even more flexibility. The supported adapter is TRS-MIDI Type B.
The USB-C port unlocks Aggressively Distorting Advanced Machine’s USB audio interface capabilities and enables interaction with the Darkglass Suite desktop app, allowing for software updates and access to the Darkglass IR library, containing hundreds of cabinet simulations. USB MIDI In/Out is also supported.
18*12*6 cm | Weight 0.7 kg
Audio routing specification for the Aggressively Distorting Advanced Machine FW v1.3
The Aggressively Distorting Advanced Machine has four ways to receive audio: Instrument in, Aux in, Bluetooth, and USB output from your DAW when used as an interface.
It also has four ways to output audio: a stereo balanced output pair, stereo headphones, a direct XLR output, and USB input to your DAW when used as an interface.
Please note that the routing is subject to change in future firmware updates.
The Aggressively Distorting Advanced Machine supports 48 kHz and 44.1 kHz sampling rates.
USB output (to Aggressively Distorting Advanced Machine)
Output 1: Balanced left + Headphone left
Output 2: Balanced right + Headphone right
Output 3: Balanced left
Output 4: Balanced right
Output 5: XLR DI (mono)
Both Mac and PC send system audio to outputs 1 and 2 by default, so you can always use Aggressively Distorting Advanced Machine’s stereo output of choice without having to set up any extra routing. The level of these outputs is controlled by the small volume potentiometer at the top of the Aggressively Distorting Advanced Machine. The other outputs have no volume control on Aggressively Distorting Advanced Machine.
USB input (from Aggressively Distorting Advanced Machine)
Input 1: Processed signal
Input 2: Unprocessed raw signal
Input 3: Aux left + Bluetooth left
Input 4: Aux right + Bluetooth right
When the Aggressively Distorting Advanced Machine is not bypassed, the Level potentiometer always controls the volume of your instrument input at all four outputs, and has no effect on the USB/Aux/Bluetooth audio. When the Aggressively Distorting Advanced Machine is bypassed, the Level potentiometer has no effect.
Your instrument, Aux input, and Bluetooth audio is routed to the headphone and balanced outputs. The media volume at these outputs can be controlled with the small potentiometer at the top of the Aggressively Distorting Advanced Machine.
- When using the balanced outputs, the media volume and instrument volume level are separately controlled (small volume potentiometer at the top of the Aggressively Distorting Advanced Machine and the Level potentiometer, respectively).
- When using headphones, the volume is controlled in the same way, with one exception: the headphone volume potentiometer acts as an overall master volume for both media and your instrument input.
- The XLR DI output is routed only with your instrument output and USB output 5.
The media playback volume level on the Aggressively Distorting Advanced Machine is not applied to USB inputs 3 and 4.